Showing posts with label gender. Show all posts
Showing posts with label gender. Show all posts

Monday, April 7, 2014

Here Come the Waterworks

I can always tell it's a therapy day because my eyes are still sore. I go every couple of weeks with my husbutch, to create a space where we can work on the things that we've decided we need help with: navigating parenting issues, staying emotionally connected as partners, communicating more effectively. Invariably I cry during therapy. I don't always know why, and I'm always trying to hold it back. Why? Because as soon as I let it happen, whatever we were talking about gets sidetracked, and the attention shifts to my tears. Why am I crying? Clearly there is something bothering me. What is it?

When I was around 12 years old, I remember being in family therapy. I don't remember why, exactly, and I don't recall what we discussed, but one memory is particularly salient to me. Once I asked my mom if I could see the therapist by myself, as I felt like I needed help sorting out my own feelings. The therapist and I sat in a room alone, and I remember her asking me questions about school and what I wanted to see her about. At some point I started crying, unable to hold it back or put into words what was making me cry. The therapist asked me questions to try to get to the source of it, but I had no words. All of my energy was going into trying to hold back the tears, afraid that if I started talking, I would cry even harder. Eventually, having gotten nowhere, the therapist ended the session by saying something to the effect of: "Come back when you are ready to talk." I never saw her individually again.

I cry easily, and not just when I'm sad. I cry when I'm angry, or frustrated, or sick. I cry when someone tells me about something powerful, or when I see people yell at their kids. I cry when I think about something terrible happening somewhere, even if it doesn't involve me. I cry when I witness childbirth, or a moving expression of love. I cry before my period starts, overcome with the feeling that nothing is right or will ever be right in the world.

What is the big deal about crying? Why does it make me feel so uncomfortable to cry in front of others? It doesn't feel good to hold it back. As I've told my nine year old daughter (who struggles with articulating emotions), crying is like pooping. It's normal and it's healthy. When you have to do it, the best thing is to do it. You can hold it inside, but that will make you feel bottled up and probably a little sick. Recently, a friend put it more elegantly when she said that crying "is a way to bleed out the things that pollute the heart."

Yet, I do hold it back. When I cry, I suddenly lose credibility and strength in the eyes of others. I appear to be irrational, overcome with emotion, and anything I say gets a little lost in translation. My crying itself becomes a problem that needs to be solved. It creates discomfort in others, who either feel the need to "make it better" somehow, or distance themselves from it (usually this happens figuratively, by them "checking out" of the conversation somehow, as it's rather impolite to run from a crying person). Either way my words aren't heard, which is especially frustrating when I'm crying because I've become discouraged or angry while trying to communicate my point.

And, it's frustrating during therapy, for the same reasons. Yes, I know that part of the point of therapy is to explore one's feelings more deeply. When I cry, it probably seems like a perfect opportunity to turn the crying into the focal point, in an effort to excavate and find the source of the pain. But it usually happens when I'm in the middle of talking about something, and I simply feel strongly about it. I would prefer everybody to just ignore my crying and listen to what I'm saying.

My husbutch has gotten a lot better at this. It used to freak her out when I cried, either because she didn't know why I was crying, or didn't know how to fix it. She has come to realize that my crying is not a problem to be solved, and has become better at just being present when it happens. Just listening, or just holding me. Sometimes I just need to cry.

I am grateful for this safe space within my relationship. I am also well aware that my femaleness affords to me the luxury of crying in the first place, within the bounds of socially acceptable behavior.  It pains me to see this right to cry assaulted in our boys and men, though it is getting better. It does make me wonder, though, how different the world would be if we all felt free to cry when we needed, as acceptable as laughter. I think we would feel a little less constipated.

Thursday, March 27, 2014

My Uneasy Relationship with Femininity

I've always known I wanted to be a parent someday. As a child, I felt loved and accepted by my mother, a single parent of three by the age of twenty. In my young adult years, I formulated strong notions of social equality and justice, firmly rooted in the basic principle that everybody is good and unique and deserving of happiness. I imagined my future self as a parent, carrying forward my mother’s legacy of unconditional love.  I would create an environment where my child is free to be themselves.  As a burgeoning feminist with a growing toolbox of gender theory, I also assumed that my progressive parenting would empower him or her to develop a full spectrum of masculine and feminine qualities.  


Nokomis at my wedding, doing her Diva pose.




None of this quite prepared me for my daughter Nokomis, and her persistent obsession with princesses as a small child. It started with a penchant for jewelry and pretty dresses. Her imaginative play became consumed by endless scenarios of princesses in need of rescue by brave princes, dilemmas always ending in swooning and marriage.

My instinctive reaction to all this was to challenge Nokomis. I asked, "What does a princess do?" Her response: "They twirl." "They twirl?" I replied. "Couldn't they also have magical powers or help people or save the day?" She would look at me with toddler exasperation as she asserted, "No. They just twirl." I was appalled and disgusted. How lame! How could Nokomis possibly think that simply being the passive object of a male gaze is a worthwhile pursuit? I wanted to discourage it, to keep her from limiting herself in this way. When she asked to wear a dress every day and play princess, I'd make a face and try to suggest other clothes and activities, to no avail.

At some point it hit me. By attempting to suppress the princess in Nokomis, I was the one restricting her potential. If I truly wanted her to be able to express all of her many facets, it would be hypocritical of me to deter some of them, including the traditionally feminine traits that historically have been compulsory. By doing so, I realized, I was essentially participating in the cultural devaluation of femininity that justifies sexism.

Seen in this light, the situation felt a lot less dire, and a lot more like a normal part of Nokomis's development as a human female. I learned to relax a little, and remember that regardless of where she "got it from" or whether it's "just a phase" to be waited out, this was a part of who she was at that moment. Through her princess play, Nokomis explored such concepts as the majesty of beauty, the magic of one's hopes and dreams, and the power of falling in love. She navigated feelings about attachment and separation when the little plastic princess couldn’t find her way home. It wasn’t helpful for me to impose my adult interpretations about the ideological implications of her play.

I ended up questioning a lot of the principles I held dearest, like the idea that the only healthy expressions of gender are the ones in the middle of the masculine/feminine continuum. By sticking to that principle, I had been violating another one: my belief that children have the right to be themselves. I rethought my beliefs about gender, and it was this compromise with myself that allowed me to grow, and form better, stronger principles.

At the same time, however, my job is to continue to challenge her to push the boundaries of the ideas she is (re)producing, by asking questions and suggesting alternate endings that defy the simplistic fairytale plots. It’s easy to get stuck in the same narratives we tell ourselves about love, life, and The Way Things Are. I can let her regurgitate the same narratives that surround her, or I can push her to write new ones. Either way, the most important lesson I can teach her is that she’ll never have all the right answers. If she can learn that, she’ll know all she needs to know.